Q: Original Feelings integrates art into the practice space in a way that seems quite intentional. How do you select the artworks that inhabit the studio and what do you hope practitioners take away from this layered experience of breath, feeling, and visual art?

A: I’m drawn to works that don’t try to explain themselves too quickly. Pieces that feel open, that allow people to project something of themselves into them. In a way, it’s similar to the practice itself - not something you consume, but something you meet. What I hope people take away is a subtle shift in perception. That practicing yoga doesn’t happen in isolation, but in dialogue with the room, with light, with texture, with what is seen and what is felt. The art becomes part of that ecosystem. Something that gently expands the experience beyond the body, without distracting from it.